LA REBELIÓN DE LA MATERIA

By: BRISA MP
Year and place: Barcelona, 2019
Video and sound techniques: software design: Processing. Digital sound + Final Cut
Digital / Color
Duration: 3´36´

Video a partir de gráfica a partir de la creación de código generativo, colaboración humana-ordenador.

La Rebelión de la Materia, es un canto a la naturaleza y su presencia, y a las diversas materias que nos habitan entre lo natural y lo artificial, una naturaleza hoy en rebeldía por el cambio climático y el Antropoceno.

Materias diversas conviven reconstruyen una arquitectura dentro de un sistemas y micro sistemas donde lo humano y no humano se encuentran.
Desorden, caos y rebelión de aquello que permanecía en el silencio …

(PI)
By: BRISA MP
Year and place: Barcelona, 2016
Video and sound techniques: software design: Processing. Digital sound + Final Cut
Digital / Color
Duration: 2´24´
En Memoria de Juan M. Pollier y Carlos Raúl Sepúlveda desaparecidos escritores de Ciencia Ficción Chilenos. Inspirado en el cuento «El Inquisidor de la Galaxia » (Chile- 1990) de Juan M. Pollier.

[ B + B = 0 ]
By: BRISA MP
Year and city: Santiago of Chile, 2013

Computer programming: Max- Msp- Jitter & Pure Data
Software: Final Cut
Digital / Color
Duration: 1´59´´

[ B + B = 0 ] is an experimental video that addresses identity and the body in the digital age. Digital technologies produce a fragmented corporeality, a body made of many bodies, a body of pixels that interrogates the physical body and the human body as the only idea of corporeality. My face is made of data and fragments in planes of color that are processed through the camera and a program that I have created in Max-Msp-Jitter. The sound is weird and it’s not music, it’s something you don’t want to hear, a noise created in other small software in Pure-Data. What is the materiality of this identity, of this body and of this artistic piece? A physical body (matter) that is processed until it disappears.
[ B + B = 0 ] questions the identity of a person in the digital age, it is a self-portrait but it is also this multiplication of the body, the face and finally of identity. A body that is everywhere ends up being nowhere, it is a body that disappears.

WHERE ARE YOU?
By: BRISA MP
Year and city: Barcelona, 2014

Computer programming: Processing.

Softwares: Final Cut+ Notebeat.
Digital / Color
Duration: 3´03´

Dedicado a mi amigo Gustavo Velásquez G.
Creado en Processing y sonido NodeBeat.
Barcelona, 2014

FORGIVE ME MUSIC
By: BRISA MP
Year and city: Lisboa-Buenos Aires, 2012
Video and sound techniques: software: Max-Msp-Jitter +FInal Cut
Digital / Color
Duration: 1´59´´

Programado en Max- Msp- Jitter , un sistema que visualiza y hace escuchar el movimiento de los pixeles en una pantalla. Datos numéricos y algoritmos que hacen ruido y piden perdón a cualquier estructura musical.

Programado en la residencia artística en el Centro de Arte y Galería ZéDoisBois en Lisboa en 2007.

PAISAJE ( LANDSCAPE )
By: BRISA MP
Digital / Color
Duration: 2´40´´
Year and place: Video recorder: Cuba, 2009.
Created in Buenos Aires, Argentina, 2011.
Tools & format: HDV, Max/Msp/Jitter. Final Cut. HD Digital Video.

The experimental video piece “Paisaje” is a reflection on the landscape understood as the reconstruction of a visual and bodily experience. I am placing oneself in the place and visiting the details that over time they could be forgotten.
A mental landscape that is made with fragments of images, details, different frames, which flow in our minds with several temporalities.
The camera and the audiovisual edition, take place inside and outside to us, as an observed body and body viewer. The camera allows us to visualize that fleeting and unstable detail, it also allows us to make notations, that after can ordered them in a repetitions system , images like a ruins, remains of an experience that resists forgotten.

Paisaje (Landscape) is a piece that collects clips from recordings that I captured in Cuba in 2009, extracts of the city, the sea and my own body that are subsequently processed through software. I created a little software in Max, Msp, Jitter – platform of computer programming for artist – that allows to intervene the texture, time, opacity and color of the images, and where this images can reactive to digital sound create with the same platform. Finally, these images and other recordings are edited in Final Cut software, creating a second and third layer of sound.